aroraborealis: (content)
poem prompt: write about a childhood secret you never told

Bubblegum

It’s bedtime and I’m hiding under the
bed so they can’t find me and
put me to bed.

I open the wrapper of another piece of bubble gum,
the sugary kind I’ve never been allowed to have before,
and I shove it into my mouth
already full of gum,
chewing stickily, the flavor,
delight and horror in the sweetness.

I chew and chew,
pretending it’s as good as I dreamed.
aroraborealis: (shadow past)
Nothing can ever happen twice.
In consequence, the sorry fact is
that we arrive here improvised
and leave without the chance to practice.

Even if there is no one dumber,
if you’re the planet’s biggest dunce,
you can’t repeat the class in summer:
this course is only offered once.

No day copies yesterday,
no two nights will teach what bliss is
in precisely the same way,
with precisely the same kisses.

One day, perhaps some idle tongue
mentions your name by accident:
I feel as if a rose were flung
into the room, all hue and scent.

The next day, though you’re here with me,
I can’t help looking at the clock:
A rose? A rose? What could that be?
Is it a flower or a rock?

Why do we treat the fleeting day
with so much needless fear and sorrow?
It’s in its nature not to stay:
Today is always gone tomorrow.

With smiles and kisses, we prefer
to seek accord beneath our star,
although we’re different (we concur)
just as two drops of water are.
aroraborealis: (iris portrait)
There's a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I've walked there picking mushrooms at the edge of dread, but don't be fooled
this isn't a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won't tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won't tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it's necessary
to talk about trees.
aroraborealis: (alone)
“Affirmation” by Assata Shakur
___
I believe in living.
I believe in the spectrum
of Beta days and Gamma people.
I believe in sunshine.
In windmills and waterfalls,
tricycles and rocking chairs.
And i believe that seeds grow into sprouts.
And sprouts grow into trees.
I believe in the magic of the hands.
And in the wisdom of the eyes.
I believe in rain and tears.
And in the blood of infinity.

I believe in life.
And i have seen the death parade
march through the torso of the earth,
sculpting mud bodies in its path.
I have seen the destruction of the daylight,
and seen bloodthirsty maggots
prayed to and saluted.

I have seen the kind become the blind
and the blind become the bind
in one easy lesson.
I have walked on cut glass.
I have eaten crow and blunder bread
and breathed the stench of indifference.

I have been locked by the lawless.
Handcuffed by the haters.
Gagged by the greedy.
And, if i know any thing at all,
it’s that a wall is just a wall
and nothing more at all.
It can be broken down.

I believe in living.
I believe in birth.
I believe in the sweat of love
and in the fire of truth.

And i believe that a lost ship,
steered by tired, seasick sailors,
can still be guided home
to port.
aroraborealis: (iris portrait)
Famous
By Naomi Shihab Nye

The river is famous to the fish.

The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.

The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry close to your bosom
is famous to your bosom.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

The bent photograph is famous to the one who carries it
and not at all famous to the one who is pictured.

I want to be famous to shuffling men
who smile while crossing streets,
sticky children in grocery lines,
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.
aroraborealis: (alone)
Dear friends,

Please share with me a favorite poem, preferably by a woman.

Thank you!
<3 [livejournal.com profile] aroraborealis
aroraborealis: (alone)
Oh, Maya Angelou, how I miss knowing you're in the world with me. At least your words are.

Still I Rise - Maya Angelou

You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
aroraborealis: (alone)
A Brave and Startling Truth
by Maya Angelou

We, this people, on a small and lonely planet
Traveling through casual space
Past aloof stars, across the way of indifferent suns
To a destination where all signs tell us
It is possible and imperative that we learn
A brave and startling truth

And when we come to it
To the day of peacemaking
When we release our fingers
From fists of hostility
And allow the pure air to cool our palms

When we come to it
When the curtain falls on the minstrel show of hate
And faces sooted with scorn are scrubbed clean
When battlefields and coliseum
No longer rake our unique and particular sons and daughters
Up with the bruised and bloody grass
To lie in identical plots in foreign soil

When the rapacious storming of the churches
The screaming racket in the temples have ceased
When the pennants are waving gaily
When the banners of the world tremble
Stoutly in the good, clean breeze

When we come to it
When we let the rifles fall from our shoulders
And children dress their dolls in flags of truce
When land mines of death have been removed
And the aged can walk into evenings of peace
When religious ritual is not perfumed
By the incense of burning flesh
And childhood dreams are not kicked awake
By nightmares of abuse

When we come to it
Then we will confess that not the Pyramids
With their stones set in mysterious perfection
Nor the Gardens of Babylon
Hanging as eternal beauty
In our collective memory
Not the Grand Canyon
Kindled into delicious color
By Western sunsets

Nor the Danube, flowing its blue soul into Europe
Not the sacred peak of Mount Fuji
Stretching to the Rising Sun
Neither Father Amazon nor Mother Mississippi who, without favor,
Nurture all creatures in the depths and on the shores
These are not the only wonders of the world

When we come to it
We, this people, on this minuscule and kithless globe
Who reach daily for the bomb, the blade and the dagger
Yet who petition in the dark for tokens of peace
We, this people on this mote of matter
In whose mouths abide cankerous words
Which challenge our very existence
Yet out of those same mouths
Come songs of such exquisite sweetness
That the heart falters in its labor
And the body is quieted into awe

We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness
That the haughty neck is happy to bow
And the proud back is glad to bend
Out of such chaos, of such contradiction
We learn that we are neither devils nor divines

When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
Without crippling fear

When we come to it
We must confess that we are the possible
We are the miraculous, the true wonder of this world
That is when, and only when
We come to it.
aroraborealis: (alone)
BE

What do you want to be?
Have you always known?
Can you imagine the becoming?
What would it feel like?
Would you carry your body differently?
How would you walk in the world?

Will you be at a seder tonight?
Will you pay attention to your heart?
Do you know to what you've been enslaved?
Are you ready to leave Mitzrayim?
What do you need to jettison?
Can you promise not to tarry?

What will you do when you reach the sea?
Will you curse the day you took the risk?
Will you berate those beside you?
Wish for your comfortable straitjacket?
Or will you stride into the waters?
Can you trust that they will part?

Do you see what this holiday is about?
Do you see what this poem is about?
What do you yearn for?
And what do you yearn for?
And what do you yearn for?
It's right here, waiting for you.
aroraborealis: (moon path)
Choices
by Nikki Giovanni

If i can't do
what i want to do
then my job is to not
do what i don't want
to do
It's not the same thing
but it's the best i can
do

If i can't have
what i want . . . then
my job is to want
what i've got
and be satisfied
that at least there
is something more to want

Since i can't go
where i need
to go . . . then i must . . . go
where the signs point
through always understanding
parallel movement
isn't lateral

When i can't express
what i really feel
i practice feeling
what i can express
and none of it is equal
I know
but that's why mankind
alone among the animals
learns to cry
aroraborealis: (alone)
Truth in Advertising

by Andrea Cohen

If we’d moved her,
she’d still have ‘em,

the ad for Acme
Moving says, with a photo

of Venus de Milo.
But who, intact,

would Venus be?
Some standard-issue

ingénue. Give me
a woman who’s lived

a little, who’s wrapped
her arms around the ages

and come up lacking: that’s
the stone that can move me.
aroraborealis: (roots)
Wild by Tony Hoagland

In late August when the streams dry up
and the high meadows turn parched and blond,

bears are squeezed out of the mountains
down into the valley of condos and housing developments.

All residents are therefore prohibited
from putting their garbage out early.

The penalty for disobedience will be
bears: large black furry fellows

drinking from your sprinkler system,
rolling your trashcans down your lawn,

bashing through the screen door of the back porch to get their
first real taste of a spaghetti dinner,

while the family hides in the garage
and the wife dials 1-800-BEARS on her cell phone,

a number she just made up
in a burst of creative hysteria.

Isn't that the way it goes?
Wildness enters your life and asks

that you invent a way to meet it,
and you run in the opposite direction

as the bears saunter down Main Street
sending station wagons crashing into fire hydrants,

getting the police department to phone
for tranquilizer guns,

the dart going by accident into the
neck of the unpopular police chief,

who is carried into early retirement
in an ambulance crowned with flashing red lights,

as the bears inherit the earth,
full of water and humans and garbage,

which looks to them like paradise.
aroraborealis: (hips)
Oh, summer, you come in like a lover,
all hot sighs breath across bare skin,
sun kissed.
Spreading yourself across the world,
Wet clap of rain, my summer love.
aroraborealis: (moon path)
A Suspended Blue Ocean

The sky
Is a suspended blue ocean.
The stars are the fish
That swim.

The planets are the white whales
I sometimes hitch a ride on,

And the sun and all light
Have forever fused themselves

Into my heart and upon
My skin.

There is only one rule
On this Wild Playground,

For every sign Hafiz has ever seen
Reads the same.

They all say,

"Have fun, my dear; my dear, have fun,
In the Beloved's Divine
Game,

O, in the Beloved's
Wonderful Game."

by Hafiz, translated by Daniel Ladinsky
aroraborealis: (tree gaze)
My therapist gifted me a sweet small mezuzah for Conspiracy of Delight. I plan to replace the scroll with a poem or two. I have a couple in mind, but this strikes me as a wonderful moment to solicit new poetry into my life. Do you have favorite poems of home, abundance, blessing, or other ideas that you think would be well-suited for a threshold and homecoming?

Here's one from my potentials:

What We Need Is Here

Geese appear high over us,
pass, and the sky closes. Abandon,
as in love or sleep, holds
them to their way, clear
in the ancient faith: what we need
is here. And we pray, not
for new earth or heaven, but to be
quiet in heart, and in eye,
clear. What we need is here.

(Wendell Berry)
aroraborealis: (moon path)
Helen of Troy Does Countertop Dancing
by Margaret Atwood

The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.

I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worse suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshippers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretence
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slab of ham,
but I come from the province of the gods
where meanings are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.

Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look--my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
aroraborealis: (moon path)
The Journey

Above the mountains
the geese turn into
the light again
Painting their
black silhouettes
on an open sky.
Sometimes everything
has to be
inscribed across
the heavens

so you can find
the one line
already written
inside you.

Sometimes it takes
a great sky
to find that

small, bright
and indescribable
wedge of freedom
in your own heart.

Sometimes with
the bones of the black
sticks left when the fire
has gone out

someone has written
something new
in the ashes of your life.

You are not leaving
you are arriving.


(h/t to The Liberated Life Project)
aroraborealis: (alone)

Do not make things too easy.
There are rocks and abysses in the mind
As well as meadows.
There are things knotty and hard: intractable.
Do not talk to me of love and understanding.
I am sick of blandishments.
I want the rock to be met by a rock.
If I am vile, and behave hideously,
Do not tell me it was just a misunderstanding.

Posted via LiveJournal app for iPhone.

aroraborealis: (moon path)
Butter
BY ANDREA COHEN

I’ve never seen the land
of milk and honey, but at

the Iowa State Fair I glimpsed
a cow fashioned of butter.

It lived behind a window
in an icy room, beneath klieg lights.

I filed past as one files
past a casket at a wake.

It was that sad: a butter cow
without a butter calf. Nearby I spied

a butter motorcycle, motorcycle-
sized, a mechanical afterthought

I thought the cow might have liked to ride.
You don’t drive a motorcycle; you ride it.

But not if you’re a butter cow, not
if you’re a butter cow who’s seen, if

not the land of milk and honey, the land
of milk, and dwelled within it.

It had a short life span, the butter cow.
Before it died, I looked

deep into its butter eyes. It saw
my butter soul. I could

have wept, or spread myself,
for nobody, across dry toast.
aroraborealis: (tree gaze)
Lluvia

Mientras cae la lluvia
trastabillando entre las piedras
voy soltando recuerdos.
Es como si la lluvia
me punzara las sienes.
Chorrean
chorrean en desorden
los recuerdos:
la desgastada voz
de la sirvienta
contándome cuentos
de fantasmas
se sentaban a mi orilla
los fantasmas
y crujía la cama.
Aquella tarde lívida
en que se supe que te irías para siempre.
El guijaro brillante
que de tanto palparlo
se convirtió en cometa
Cae
cae la lluvia
y siguen fluyendo mis recuerdos
y me muestran un mundo
insensato
voraz
mundo-abismo
emboscada
torbellino
aguijón
y yo lo sigo amando
porque sí
por mis cinco sentidos
por mi asombro
porque cada mañana
porque siempre lo he amado
sin entender por qué.
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